The
music
stopped
for a moment
then—
when we began
to savor in its absence silence—
started
again, maybe a bit
louder than before
or maybe
we only heard it
as such, a sudden intrusion
we had previously not noticed
and this is what disturbed us.
Did John Ashbery say this? Did he?
What does it matter or matter what it does
for me it doesnt
and wont either
Then or now
Then or now
Then or now
Can you see through this?
Original and Fresh
You can only do so much
so many times so many ways
and so many takes.
So try a little condensation.
Just
once
Good breath glad
One potato, Two
potatoes roast, Four
legs, Two breasts of
chicken, one good and one
bad, a lot of corn.
The dots get in the way
or there are too few of them.
At times I want only to hold
her hand and let our
ancient braille rest.
As I do with my real
(m)other.
The
anxious letters
manipulate
our fingers
and
put words in our
hands
we cannot wash off.
Or
they were but phantoms
in
our mouths, one potato
two
potato good breast bad.
Or
they were but phantom tastes,
one
pun, too punned good breath
glad.
Her,
right at the end
of
my fingertips or
hovering
just above
my
palms. Which was it?
Or
as we breathe the same air
where
are they my words
and
where are they hers, then?
Dear
J —
In this contagion I cannot act. I meant to stay but it
was inevitable. Space defied, the stretch came out wrong
and won’t go in again. All those sighs driving me up
against the quarter, night limbs and air hints. Too many
chickens! trying to sit up straight, banging a plate against
the floor. How can anyone not spill water? This is how we
left, nobody noticing the cookie, the slight gesture and
walking through the wrong room.
And yet the object insists on its existence.
The argument
continues till dawn. The artificial coast formed on the edge
of the sink soaks up the early morning sun. Wrong turns
and false starts invoke this realm of intangible causes. Waves
and swirls in the driftwood uphold the illusion of the natural,
that precarious stage where the external and internal are
thrust together. The oblivion remaining deep within me as
trace, as scar.
To
return to the things themselves, that world which precedes
knowledge, of which knowledge always speaks. The subject
exists not as centered essence but as excentric process. The
utterly familiar, its contents exhausted, emphasizing shape
and profile, shifts in color. The balance between stillness and
motion.
from
"The Virginia Monologues"
Load-bearing stanza; do not remove.
What part of "you" don't you understand? This was a new
sentence when I found it. How much of the passing world could be glimpsed
through the window of a writing pad? Adjust margins. Our bodice-rippers;
our shelves. "Ladies and gentlemen, the use of electronic devices
may now be used." I felt a buzzing in my drain. What was new
about "make it new." Turn-down service available upon request.
"We have these lovely computer arm wires for sale," said
the salesman in Louisiana. Is contraction good for baseball? The pentagon
describes this as ''sensitive site exploitation." Deep South
loans, three blocks south of Mid-South Bank. Fat-free French Bread.
A faith worse than death. Don't let him get your zygote. I set a Tipper
in Tennessee. Breakfast on the battlefield at Pinhook Bridge. What
was new about the New Criticism. Self portrait of the artist as a
self portrait. A harbinger of harbingers to come. There, but for the
grace of God, goes God. What was new about the New Negro. Feeling
trapped in the break-out session. Poseurs for Jesus. Flaneurs for
the asking.
I experience this pressure
as a flush
as
cartilage
becoming a message
that can massage
plentiful
always
into a new shape to harvest
you reach up my dress
alacrity
then seduction
canonization
and adornment
like
efflorescent tides
of
henna
unfurling
from Alex Gildzen's Percy & Bess
1955
Kiss
Me Deadly
a
morgue doctor
physician
to corpses
doc
of the dead
Ralph
Meeker
slams
yr hand
in
a drawer
the
dead
are
more
 polite
ALL
this for abstruse
reasons —
friction, black water
into mines... a support
breaks, all falls in
three are killed
the wife of one
now works at Wal-Mart;
the partner of another
has moved in with the fat man;
we forget about the third
whatever
it is takes the place of
a sad walk across the desert of
“much less” than meets those who lag
behind in the belief that ignorance is power
and intelligence is nothing but a fallen angel
dumb
from birth
after all no one can expect anyone else to pick up
enough slack to keep one iota of intellect floating
across
a border full of fence and ammo
instead
of just another stanza that answers its own
question
The
tyke needn't translate
Odysseus' plight, communicate
the despair imbued in some
dyke's type. Just wants
to venture out
of the cul de sac and see
the world
not within reach.
Take the kid to the police
station. A home of the grave
pedestrians awaits Baby's
swift return. Neither
entertained nor informed
by verses meant to turn off
seven or eight kinds of euphoria,
what would such verses
reverse, if not time commonly assigned
inferior avoidance mechanisms.
At least this isn't spinning wheels
in
one place.
Or
have the spaces slipped
out
from beneath feet
treating
you to a new treadmill
up
which your inner analyst
can
slog along unimpeded,
focused,
destined. To what end
shall
you strive once the destination
of
your intention
no
longer desires
articulation?
To begin again,
Anonymity promises the first pleasures
unless the race to someplace new be lost
to Personality, Memory's champ and sometimes
dark horse, stallion of old dreams and
recalcitrant nightmares, all these to
leave eschewed at so slight cost, the minute
price of an all night cinema ticket to view
an obscure flick inside the unlit rooms
of unknown movie houses, somewhere raunchy on
the gaudy outskirts of L.A. or any well
imagined place will do.
Or have to do
if Personality is kept at bay, kept from trammeling
forth to take his awful lead and drag the weary vehicle
on his same unsavory course, through altogether
customary loops and circles, and ever
refurbished, habitual trails.
Dear
Activist
No
longer at ease
on the shorter end of the stick
hung up high on a short rope
what a perfect place to view imperfection
inside-out, as experienced
known before telling, yours before ours.
It
was your gift to give us an idea
of the world off balance
then you fell
got lost in falling space, artless.
We missed you, all of you.
No one had the peace
to pick up all your pieces.